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Selected Works

 Jim Shaw, 	Untitled Face

Jim Shaw

Untitled Face

2003

 Thomas Schutte, 	Roboter

Thomas Schutte

Roboter

2008

 David Noonan, 	Untitled

David Noonan

Untitled

2006

Installation Views

 Installation view, Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, November 12, 2013 - February 8, 2014

Installation view, Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, November 12, 2013 - February 8, 2014

 Installation view, Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, November 12, 2013 - February 8, 2014

Installation view, Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, November 12, 2013 - February 8, 2014

 Installation view, Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, November 12, 2013 - February 8, 2014

Installation view, Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, November 12, 2013 - February 8, 2014

 Installation view, Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, November 12, 2013 - February 8, 2014

Installation view, Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, November 12, 2013 - February 8, 2014

 Installation view, Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, November 12, 2013 - February 8, 2014

Installation view, Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, November 12, 2013 - February 8, 2014

Press Release

Marc Jancou Contemporary is pleased to announce the opening of Black-and-White (and a Little Bit of Blue), a group exhibition featuring work by Mike Kelley, Sherrie Levine, Alan Michael, David Noonan, Thomas Schütte, Jim Shaw, Rosemarie Trockel, and Christopher Wool. The exhibition will be on view November 12, 2013 – February 8, 2014.


Black-and-White (and a Little Bit of Blue) presents a diverse grouping of artworks spanning thirty-one years. Comprising painting, drawing, silkscreen print, and sculpture, the exhibition celebrates the complexity of this deceptively simple monochrome tonation.


Once relegated to the media of print and photography, grayscale has established itself as a ubiquitous visual trope within contemporary art. The artists in this exhibition employ black-and-white as a means of conceptual expressive range far beyond its traditional role as a simple visual transcription of reality.